⋙ PDF Free Inanna Queen of Heaven and Earth Her Stories and Hymns from Sumer Diane Wolkstein Samuel Noah Kramer 9780060908546 Books

Inanna Queen of Heaven and Earth Her Stories and Hymns from Sumer Diane Wolkstein Samuel Noah Kramer 9780060908546 Books

Download As PDF : Inanna Queen of Heaven and Earth Her Stories and Hymns from Sumer Diane Wolkstein Samuel Noah Kramer 9780060908546 Books

Inanna Queen of Heaven and Earth Her Stories and Hymns from Sumer Diane Wolkstein Samuel Noah Kramer 9780060908546 Books

Incredibly cool to be able to read perhaps the earliest human written stories & poetry. Great deeper meaning in regards to the relation of the revered feminine in conjunction with respected masculine, and their connection to heaven/earth. The authors did a lovely job with the text. Very interesting how religions following this one in a historical text took so much inspiration from these stories. I studied historical world myths and knowing those, along with current mass religions, then reading this book...well, lets just say one can see where much of their material came from. I read passages occasionally to friends, and they are always shocked when I tell them how old this is...it is still very relevant - if not extremely relevant right now in our current world climate.


Tags : Inanna, Queen of Heaven and Earth: Her Stories and Hymns from Sumer [Diane Wolkstein, Samuel Noah Kramer] on Amazon.com. *FREE* shipping on qualifying offers. A fresh retelling of the ancient texts about Ishtar, the world's first goddess. Illustrated with visual artifacts of the period. A great masterpiece of universal literature. --Mircea Eliade,Diane Wolkstein, Samuel Noah Kramer,Inanna, Queen of Heaven and Earth: Her Stories and Hymns from Sumer,Harper Perennial,0060908548,Spirituality,Inanna (Sumerian deity),Inanna (Sumerian deity);Poetry.,Mythology, Sumerian,Mythology, Sumerian.,Comparative Religion,FICTION Fairy Tales, Folk Tales, Legends & Mythology,Folklore & Mythology,GENERAL,General Adult,Myth & legend told as fiction,Non-Fiction,Poetry,RELIGION Ancient,RELIGION Comparative Religion,RELIGION Spirituality,Religion,ReligionEthics,ReligionSpirituality,Social ScienceFolklore & Mythology,Sociology,Spirituality - General

Inanna Queen of Heaven and Earth Her Stories and Hymns from Sumer Diane Wolkstein Samuel Noah Kramer 9780060908546 Books Reviews

The result of a collaboration between Sumerian scholar Noah Kramer and folklorist Diane Wolkstein, this book is a thoughtfully annotated translation of the major Sumerian cuneiform texts devoted to the goddess Inanna-among the oldest religious texts in the world. It is illustrated with black-and-white reproductions of ancient Sumerian art, mostly on clay tablets.
Our understanding of Sumerian culture continues to grow as new texts are found and our perceptions change. This book was published in 1983, and included material unknown to the general public at the time. There are four major stories of Inanna told here "The Huluppu Tree," "Inanna and the God Of Wisdom,"
"The Courtship of Inanna and Dumuzi," and the extended epic "The Descent of Inanna." Seven hymns to the goddess round out the collection.
In "The Huluppu Tree," we meet the adolescent Inanna, expectantly awaiting the attainment of her queenship. The Huluppu tree, which she has planted and tended as a symbol of her hopeful authority, becomes infested with evil creatures, like personal demons, that will not depart and bring her to despair. She eventually appeals to Gilgamesh to vanquish the demons, and they exchange gifts made from the wood of the tree, bringing them both to greater power.
In "Inanna and the God of Wisdom," Inanna, now sexually mature but still youthful and unproven, is welcomed by Enki, God of Wisdom, who acts the role of proud grandfather, giving a feast in her honor. Enki's magnamity increases as he drinks, and he ends up offering Inanna all the magical keys to human civilization. Inanna, with enthusiastic politeness, accepts the gifts, and then makes a quick exit, getting a head start before Enki thinks better of his generosity and sends his monsters in pursuit of the errant goddess. Inanna, with the help of her trusted companion goddess, gets passed the monsters and arrives in Uruk with
her magical cargo, where she comes into her full power. Enki, apparently wise enough to let go of his greed in the face of fate, acknowledges Inanna's victory and ascendance.
In "The Courtship of Inanna and Dumuzi," Inanna, after some initial resistance, enters into an erotic courtship with Dumuzi the shepherd. This text is strangely alluring, moving with untroubled ease from sexual frankness to touching detail. (The scene where Dumuzi knocks on the door of Inanna's house for the first time feels like it could have come straight from a modern teenager's diary). After the marriage is consummated, Dumuzi curtly informs Inanna that he's going to be very busy being king now-don't wait up, hon. This poignantly rapid slide from courtship to neglect sets the scene for events in the next narrative.
In "The Descent of Inanna," the goddess, now Queen of Heaven and Earth, finds herself drawn to enter the underworld, realm of the dead, ruled by her evil and somehow tragic sister-self, Ereshkigal. One by one, she is stripped of all the symbols of her power at seven gates, to be left naked and alone before the Queen
of the Underworld, who kills Inanna with a single blow and hangs her on a hook to dry. Inanna has planned her own rescue in advance, though, and escapes to the surface, thronged by demons intent on finding someone to take her place. Inanna will not surrender to them her loyal sons, but when she returns to find her husband Dumuzi, not in mourning, but proudly sitting on his thrown and dispensing authority, she strikes him down and sends the demons after him. The tale of Dumuzi's flight is nightmarish and filled with dream imagery. Thanks to the efforts of his compassionate and self-sacrificing sister, and the softening of Inanna's own anger, a Persephone-like bargain is reached, and Dumuzi is allowed to return to the living for half of each year.
The hymns that round out this book are an exciting glimpse of the actual religious practice of the Sumerians. Especially interesting for modern Pagans is the annual ritual wedding between goddess and king.
I'm someone who tends to be rather skeptical about the ancient precedents of modern goddess worship, but these texts caught me off my guard. They are amazingly modern (or is it timeless?) in their content. The goddess actually grows psychologically and spiritually through the series of narratives, and the
portrayal of the sexual dynamic between men and women rings uncannily true across four millennia. Inanna's story is the original heroine's journey. And, unlike most of her male counterparts, she doesn't need to kill anything to attain her spiritual victory. (Well, almost. Dumuzi gets a serious lesson in raw goddess power!). Her character seems to flow from woman to goddess and back again so smoothly, that it is impossible not to feel a living religion in these texts, one in which there was an intimate dialog between the powers of the goddess and the human experience of her priestesses.
These original texts are better than any modern retelling of Inanna's story I have come across, not just because they are more "authentic", but because they are hauntingly moving. Unlike the familiar mythology of the Greeks and Romans, which has come down to us in a more or less "literary" style, these works seem
more spiritual, even liturgical. Repetition is combined with a directness of wording, and the result is often very powerful; there is a primal intensity about them. They disarm you with their open, almost child-like language, and then leave you sitting, mute and amazed, in that timeless central cavern of the human experience.
Page 12
"When she leaned against the apple tree, her vulva was wondrous to behold.
Rejoicing at her wondrous vulva, the young woman Inanna applauded herself."

Inanna then gets the idea to go see Her father, the God of Wisdom, and gets from Him all manor of wisdom. She then distributed it amongst Her people.

If more myths showed women as seeing how wonderful they were and then understanding that we are capable of getting and distributing wisdom amongst our own people then there would be no need for feminist movements, phrases like "glass ceiling" or the degrading of our wisdom as "old wives tales". I enjoyed this book immensely and so did the men who took the same class with me that this book was assigned for. Most of them lamented a culture (ours) in which women are not taught to applaud their vulva and made to feel that we have no wisdom to share.
Inanna was truly THE goddess. She was child, woman, and elder. She was part of life, and of the underworld. Enki, her father and the god of wisdom, bestowed on her every holy gift he had, including his wisdom.

That brings up a second point. These are very down-to-earth gods. Beer - brewed grain - was an important part of their diet, if only because the alcohol granted some level of disinfection. Enki lavished his riches (and beer) on his beloved guest. The more beer he lavished on her and on himself, the more gifts he granted. Next morning, he woke up and asked his aides "What happened? - I did WHAT?" By then, Inanna was away with the goods.

As a fertility goddess, Inanna had no equal. The stories go on at length describing the holy rites of fertility. She joyously embraces her own fertilization, or at least a good hearty attempt at it. What more could one ask of a goddess?

The myths are truly wonderful stories, from the oldest written language in the West. The book is a collaboration of translator and mythologist, and seems stronger for both of their efforts. Each adds a useful commentary to the text, as does the artist who chose the authentic Sumerian artwork that decorates the text. Still, it seems clear that much has been lost to history, or has not yet been recovered form the fragmentary texts. As good as these stories and hymns may be, they'll just get better as more tablets are translated and more pieces puzzled together. It's a dicey process, though. As much as I enjoyed these stories, I wondered whether the pieces had been puzzled together correctly, or even belonged together. Awaiting further discoveries, no one can know.

Inanna was a contemporary of Gilgamesh, who appears briefly. She is a natural complement to his story, and gives a wider view of that very early point in Western history.

//wiredweird
This is solid story-telling and translation of the most compelling goddess from human record. The two make a perfect pair and really bring Inanna to life. I was writing a fiction story that has Inanna as a supporting character, and I read this book twice to really get a feel for the depth and drive that Inanna displays. It was instrumental in my writing and also inspirational in my life. Hats off to these two for this stellar book.
Incredibly cool to be able to read perhaps the earliest human written stories & poetry. Great deeper meaning in regards to the relation of the revered feminine in conjunction with respected masculine, and their connection to heaven/earth. The authors did a lovely job with the text. Very interesting how religions following this one in a historical text took so much inspiration from these stories. I studied historical world myths and knowing those, along with current mass religions, then reading this book...well, lets just say one can see where much of their material came from. I read passages occasionally to friends, and they are always shocked when I tell them how old this is...it is still very relevant - if not extremely relevant right now in our current world climate.